Having posted a piece that was kind to critics and thus risking opprobrium from all quarters, I suppose I ought to be wary of writing a piece that is sympathetic to the current opera demon, Peter Gelb. Let us be clear, I don't know what the detailed financial situation at the Met is, I don't know how its budgets are split and allocated, I don't know how much they spend on sets and productions. I just read selective figures used negatively and that is always something we should be wary of. What Gelb and the Met are going through is probably entirely unique in the opera world given the scale of economics involved and the accusations of mismanagement that are being thrown around are hard to reconcile with some of the realities; it is certainly true, for example, that Gelb has taken the Met's turnover from $222 million to over $300 million in eight years which doesn't immediately suggest mismanagement, but that is as glib and superficial an analysis as anything else I
Michael Volpe Thoughts and opinions including the odd review of places. My personal views are expressed here. Inappropriate comments will be removed, including my own. "Noisy at the wrong times" new edition published in September 2015 on Two Roads